January Reading

I love to read both fiction and non-fiction, and can lose a whole weekend if a book captivates me. I also enjoy shopping for books, my collection steadily growing shelf after shelf. “Collection” is an appropriate word for my personal library, as I have indeed bought many books of a series or of the same theme, without making a dent in the To Be Read (TBR) pile. A major theme throughout my TBR are topics that I didn’t study in university but still care to learn about: mythology, ancient civilizations, art history and architecture, and social/cultural topics. Mythology and ancient civilizations were less a “need to have now” purchase to complete an arbitrary list I’d set, and more a reflection of what I was interested in at the time or where I was visiting. The art history and architecture books, on the other hand, were all bought within the same year while they were on sale – which is how I ended up with 25 of them. I won’t set an arbitrary expectation that I complete all of the art books in rapid succession to read them before the year is done, as I’d much rather read them as I’m drawn to them. Much like the goal for the year is to approach what I’m doing with intention and balance, I’ll be starting off with picking two books per month: one art/architecture history, one from any other category. This may change throughout the year, but for now, this works for me.

Book 1: The Study of Language


This was a swap from a friend who studied linguistics, and I’ve had the book for almost a year. I’ve flipped through it a few times, but haven’t yet committed to reading it. I like learning languages and learning about languages, so I feel like this textbook will act as a roadmap in understanding the linguistics building blocks. If nothing else, I want to finish the book so it find its way back to its rightful owner.

Book 2: Claude Monet – Taschen

Impressionism hold a special place in my heart, having been fascinated by pointillism while in high school, and most often drawn to this art period when strolling through art museums. The art from this period tickles my brain for how you need to take in a piece as a whole to see what the artist saw, and when you stand too close, it loses the bigger-picture meaning. Granted, if you stand too close to any painting, it too will lose meaning, though a pear in a still life is going to keep looking like a pear from most distances. I’ve soaked up what I could from museums and survey-level art history books, and I think I’ll be in for a fun read to go into more detail about the leader of Impressionism.

What I’m working on this week:

I’ll be tackling my clothing inventory and flipping my hangers around for the new year, which will be written about in Thursday’s post. If you’d like to see what I’m up to in between posts, you can follow my Instagram account, @ladywithless . Thanks for reading 🙂

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